My involvement with 'Reality's Fugue: Genesis' began with a focus on directing the development of its second iteration, working closely with author and scriptwriter F. Samuel Brainard. Our goal was to bring the experience closer to the original script's vision. During our initial efforts to secure funding, we were presented with the opportunity to showcase the existing 'Genesis' version at Hicks Gallery in Bucks County, Pennsylvania. This unexpected chance allowed us to explore some of the immersive real-world concepts we envisioned for the future. The Hicks Gallery showing became a valuable beta test, both for the VR experience itself and for the physical space transformations we implemented.
About 'Reality's Fugue: Genesis'
'Reality's Fugue: Genesis' is an immersive virtual reality experience that explores the philosophical concept of our dual nature: that we are both individual and collective beings. Based on F. Samuel Brainard's book, the experience guides viewers through a symbolic journey of creation, emphasizing how our perspectives shape our understanding of reality. Through a series of scenes, viewers witness the emergence of light, form, and time, experiencing the world from multiple points of view. The experience aims to provoke reflection on the interconnectedness of individual and collective consciousness, inviting viewers to consider how embracing diverse perspectives enriches our understanding of the world. Website coming soon!
While previous showings of 'Reality's Fugue: Genesis' were well-received, we identified several areas where the viewer experience could be further refined. We aimed to address some common challenges to enhance immersion and focus.
- Cable Management: Opportunities to improve cable management for greater freedom of movement.
- Ambient Noise: Reducing ambient noise to enhance audio clarity.
- Immersion: Creating a more focused and immersive environment.
- Comfort: Enhancing comfort during the 360-degree VR experience.
Samuel and I designed custom 360-degree VR seats to eliminate cable tangles and improve comfort. Free rotation enhanced movement. To achieve this, we incorporated a slip ring and custom-wired a plug, allowing the chair and headset to be plugged in but freely swivel while seated. A lazy susan mechanism was also used for smooth rotation. 3D modeling and testing ensured ergonomic functionality. Future iterations will refine the backrest.
After the seats Samuel and I tackled the sound dampening booths to mitigate ambient noise. Collaborating with Hicks Gallery, we utilized their modular wall system as a foundation. We fabricated custom panels by layering moving blankets and wrapping them in black fabric, designed to clip directly onto the gallery walls. Additionally, we constructed a sound dampening ceiling. To further enhance the environment, we integrated lighting, a pedestal with user instructions, and a fan for airflow and comfort.
We were really pleased with the positive feedback we received from viewers. People mentioned the increased comfort and improved sound quality, which was exactly what we were aiming for. What was especially encouraging was hearing from a few people who had seen previous showings; they told us they felt this version was a definite improvement. The changes we made to the physical space seemed to help people focus more on the VR narrative, which showed us how important the environment was for enhancing the whole experience. And personally, I was thrilled to hear how much better the audio came through!
Our primary focus remains on developing the second iteration of 'Reality's Fugue,' designed to more closely align with the original script and create a truly immersive experience. Our goals include more advanced interactive storytelling, enhanced visuals, a more seamless integration of the virtual and physical realms, and increased user interaction and engagement.The Hicks Gallery showing provided invaluable insights, serving as a beta test for the physical space enhancements and offering a glimpse into our vision for the future. We are seeking avenues to bring this vision to life. If you are interested in learning more or might like to partner in this project or please contact us.
This project brought the viewer experience to a whole new level. User-centered design and collaboration were key to its success. I'm excited to continue advancing immersive storytelling with the 'Reality's Fugue' team. Thank you to Carol Cruickshanks, David Tamés, F. Samuel Brainard, and a special shout out to Clifford Eberly for his invaluable support at Hicks Gallery, located at Bucks County Community College.
Depth of a Sketch
So honored! My laser cut wood art piece, "Depth of a Sketch 1," received an Honorable Mention in the "Naked in New Hope" exhibit at New Hope Arts Center. It's amazing to be part of a show with 90 incredible works, juried by Paul Murphy. So grateful for the recognition!
Check out the ProjectPaintings
Tactile, messy, neat. Each story guides each and every brush stroke. Exploring color and texture.
Prints Available - ᶘఠܫఠᶅ - Taking commisions
Digital
Technologogy has been a passion since I knew you could create using it. Blessing and a curse. Easy or as complicated as you want to get. These works will span all demensions. Prints available.
Reality’s Fugue Booths
Enhancing the presentation of a philosophical virtual reality experience through the creation of dedicated, sound-dampening spaces.
Depth of a Sketch
Where the impulsive stroke of a raw sketch meets the unwavering precision of laser-cut engineering. Exploring the tension and harmony between the freely drawn and the meticulously crafted.